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Charm Circle

Nira Burstein’s documentary is a love song to her eccentric and sometimes mentally challenged family, who live in the gracious chaos of their Charm Circle New York City home in Queens.


The Crossing

After surviving a pogrom, 13-year-old Kyona and her younger brother Adriel flee, embarking on a suspenseful journey to cross the border to safety in this animated feature with glorious fairytale-like imagery.


Haute Couture

When Esther (Nathalie Baye), a Parisian seamstress on the verge of retirement, offers a troubled young woman an internship at Dior, their disparate lives become as entangled as the threads in their needlework.


Karaoke

Meir and Tova are an Israeli married couple, prematurely aged by their semi-retired life of banal comfort. When a sexy bachelor moves into the penthouse, all their routines will be gleefully upended.


Let It Be Morning

A wedding brings a middle-class Palestinian businessman and his family back to the small Arab village where he grew up. An unexpected military lockdown forces him to reassess his past and confront his future.


My Name is Andrea

Decades before #MeToo, controversial Jewish Feminist Writer and public intellectual, Andrea Dworkin called out the pervasiveness of sexism and rape culture with revolutionary and iconoclastic flair.


On This Happy Note

Internationally renowned feminist Israeli playwright and TV writer Anat Gov meditates on how to best prepare for the end of her life. There is such a thing as a happy ending.


Panel: Intimate Partners

This panel examines the ethics, challenges, and joys of centering family in non-fiction storytelling.


Panel: Who Gets to Play Anne Frank?

The thought-provoking short film Anne explores Jewish identity and casting when two actresses, one Black and one white, audition to play the role of Anne Frank, prompting the debate: who is best suited for the role?


Remember This

The brilliant David Strathairn gives a mesmerizing one-man performance as Jan Karski, a WWII Polish resistance fighter, whose testimony was emotionally given in Claude Lanzmann’s "Shoah."