In the mid-60s, Janis Ian, a tiny, teenage Jewish singer-songwriter from New Jersey, scores a hit ("Society's Child," 1966) about an interracial relationship. The song launches her illustrious career but also ignites controversy, and she plunges into an emotional tailspin–only to emerge from the ashes with an even bigger hit ("At Seventeen," 1975) about body shaming. For the next six decades, Janis overcomes homophobia, record industry misogyny, and a life-threatening illness to produce an indelible body of work that continues to draw large audiences around the globe. Janis Ian and the Art of Song (working title) chronicles the singer’s epic life journey from her Jewish childhood on a chicken farm in New Jersey through the release of the disruptive album Breaking Silence which she leveraged to come out publicly about her same-sex marriage. With access to Janis Ian’s incredible body of music, her vast archive, family, friends, famed collaborators, and music journalists, the documentary balances the intimacy of a home movie against a sweeping historical—and contemporary—context.
Varda Bar-Kar is an award-winning filmmaker whose work focuses on meaningful stories that explore the breadth and diversity of the human condition. Her feature documentary Big Voice, chronicling a year in the life of a determined high school choir director, was acquired by Netflix and broadcast on PBS, winning a Bronze Telly Award. Her documentary Fandango at the Wall, about a gathering of song and dance in the 300-year-old son jarocho tradition at the border between the United States and Mexico, premiered on HBO/HBO Max. The accompanying album, Fandango at the Wall in New York, was nominated for a Grammy. She lives and works in Santa Monica, CA.
A Rebel Without a Pause shines a light on Dr. Quentin Young, a Jewish doctor from Chicago, who teamed up with the Black Panther Party and its Chairman Fred Hampton throughout the 1960s—and fought the FBI at great personal cost—to bring healthcare to the most vulnerable Americans. Told through the eyes of his granddaughter, director Maya Cueva, the documentary explores Young’s story through animation, exclusive archival material, and new interviews with iconic voices, while drawing connections to the modern day healthcare workers carrying on his legacy. A Rebel Without a Pause asks us to consider what allyship really means in a movement fighting against white supremacy and racism within the healthcare system.
Maya Cueva is a Jewish-Latina, award-winning director and producer with a background in documentary, radio, and audio producing. She was a Netflix Nonfiction Director and Producer Fellow and her work has been featured on The New Yorker, NPR, The Atlantic, Teen Vogue, and National Geographic. Cueva received a student Emmy for her short film The Provider and her feature film, On the Divide, premiered at the 2021 Tribeca Film Festival. And was broadcast on POV PBS in 2022. Her most recent short documentary Ale Libre was acquired by The New Yorker and has screened at Big Sky Documentary Festival, Hot Docs, AspenFilm Festival, and SFFILM. She lives and works in Berkeley, CA.
An artist must say goodbye to her historic Chicago home of 50 years to relocate to a senior apartment complex. Her filmmaker friend moves in and helps prepare the house for sale, as his own family joins together to confront a series of health crises.
Daniel Hymanson is a documentary filmmaker. His first feature, So Late So Soon, premiered at the 2020 True/False Film Festival, was shortlisted for Best Feature in 2021 by the IDA Documentary Awards, and was distributed by Oscilloscope Pictures. Hymanson’s directing work has received support from the Sundance Institute, the Gotham, Catapult Film Fund, the Illinois Arts Council, and the True/False and Catapult Rough Cut Retreat. He was an associate producer on The Last Season (Independent Spirit Award nominee) and Western (Special Jury Prize at Sundance), as well as production designer on Other Months (SXSW). Filmmaker Magazine named him one of its “25 New Faces of Independent Film” in 2020, and DOC NYC included him on its "40 Under 40" list in 2021. He lives and works in New York, NY.
In A Night at the Stone Burlesk, director Leigh Jurecka introduces us to her husband Matthew, a renowned child magician who had performed in stadiums and on television since he was nine. Mattheew had followed in the footsteps of his father and grandparents, who ran a theater called the Stone Burlesk for over fifty years in Detroit that Matthew knew almost nothing about. A Night at the Stone Burlesk chronicles Matthew's investigation into the origins and operations of the business and the stories the family told to protect their place within the Jewish community. The result is an exploration into the unraveling of family secrets and the intergenerational effects of trauma, and of a charismatic family whose involvement in the worlds of vaudeville, burlesque, and magic served to obscure the truth from everyone—including themselves.
Leigh Jurecka is a Canadian independent filmmaker and educator whose work has been screened in festivals throughout North America. Jurecka produced the feature documentary Free Havana (released by Facets) and is a fellow of Kartemquin Films’ Diverse Voices in Docs mentorship program. She received her BA in Philosophy from Bishop’s University and her MFA in Film from Northwestern University. She lives and works in Chicago, IL.
Echoes of Foreign Films is an intimate portrait of Dan and Toby Talbot's personal and professional life and their extraordinary contribution to the art film industry, and a cinematic journey through some of the most influential foreign movies that the Talbots brought to the U.S. and Canada. As pioneers of film distribution and exhibition, the Talbots championed risky, thought-provoking cinema, exposing American audiences to movies from every corner of the world—Europe, Asia, Africa, and Latin America. Their work sparked a cinematic revolution, fostering a new wave of American auteurs and shaping their artistic sensibilities. In an era dominated by gentrification, mass entertainment, and new technologies, the documentary ponders the uncertain future of art-house cinema, especially after the devastating effects and consequences of the coronavirus pandemic on the theatrical film exhibition.
Sergio Maza is a screenwriter from Argentina. A graduate of the National School of Experimentation and Filmmaking, Maza has written professionally for television for more than fifteen years while teaching film and writing courses. He has taught at the University of Lanus, the Film College School, and the National School of Experimentation and Filmmaking. As a screenwriter, he has worked on several television programs, including fiction and documentary, such as Surprise and a Half, From the Bed to the Living, and We See Faces. His academic experience allowed him to become the director of the Film College School at the age of thirty-five. He lives and works in New York, NY.
At a little known cultural intersection, creatives live in a pluralized reality. Featuring people who identify as Anishinaabe, Mohawk, Mohegan, Diné, and Quechua (among other Nations and tribes) and Jewish, Untitled Indigenous & Jewish Project will spotlight an actor, rockstar, a fluent dual language speaker, a playwright, a rabbi and more. This unique community, diasporic and Indigenous at once, exists in the liminal space of converging cultures of historically oppressed peoples. Today, they are building a thriving, imaginative, and vibrant future, upending stereotypes by reveling in multiculturalist ways and connecting through overlapping heritage and practice across distance and difference.
Adam Mazo is the creative director for Upstander Project and an Emmy Award-winning filmmaker. Upstander Project uses storytelling to amplify silenced narratives, develop upstander skills to challenge systemic injustice, and nurture compassionate, courageous relationships that honor the interconnection of all beings and the Earth. Adam has (co)directed and/or produced all of Upstander Project’s films, including Dawnland (Emmy, 2019) on stolen children and cultural survival. He is a producer of Reciprocity Project, an IDA Award-nominated short film series featuring all Indigenous directors exploring themes of reciprocity. His films have been programmed on Independent Lens, Sundance, and Hot Docs and used by numerous schools paired with original learning resources often used in curricula. He is Ashkenazi Jewish and lives with his family in the territory of the People of the Blue Hills — the Massachusett Tribe.
The 13th Percent is a personal documentary exploring filmmaker Renée Wilson’s unexpected discovery of her non-Jewish African American family’s 13% Ashkenazi Jewish heritage in a 2018 DNA report, which the report attributed to either a grandparent or a great grandparent. The revelation offered a tantalizing clue to a longstanding family mystery, the identity of Wilson’s paternal great-grandfather and his family. A source of shame for many years, Wilson’s grandfather never knew his father, but his light complexion and mother’s job working in the “big house” of a former plantation in Louisiana's German Coast hinted at a painful past. Armed with this new knowledge, Wilson embarks on a journey seeking to reveal her own family history and the complex ways that Louisiana’s Black and Jewish communities have long been intertwined.
Renée Wilson is a director, writer, performer, and made her film debut portraying Raelette Pat Lyle in the Academy Awarding-winning film Ray starring Jamie Foxx. Wilson’s documentary, Crepe Covered Sidewalks, about her hometown of New Orleans after Hurricane Katrina, was the centerpiece film of the New Orleans International Human Rights Film Festival and received Best New Filmmaker Award at the Peachtree Village International Film Festival in Atlanta. Her recent film, Ode To Joy, won the 2022 Maui Film Festival Audience Award for Stunning Short Film. She graduated from Tulane University with a BA in Communications. She lives and works in Dallas, TX.
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