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An American Tail
This beautifully animated film, which will charm audiences of all ages, tells the story of Fievel Mouskewitz and his family of Jewish mice who escape from Russia in the late 1800s and immigrate to the United States. At the time of its release in 1986, it became the most successful non-Disney animated feature with a theme that is close to every American’s heart: immigrants trying to succeed despite the many hardships and obstacles.
Blush
Seventeen-year-old Naama is thoroughly bored with her overbearing family and uneventful suburban school days. That is until bleached-blonde bad girl Dana shows up with her flirtatious smile and a bag of weed. But while Naama is both partying hard and falling hard for Dana, her sister goes missing, and the whole family is deeply rattled. Blush is a portrait of modern Israel through the eyes of the youth who are pushing the boundaries. —Alexis Whitman
Campfire
Best Picture, 2004 Israeli Academy Awards. Rachel, a recently widowed mother of two rebellious teenage girls, hopes to start a new life by joining a religious settlement in the West Bank. But she must first win over the community’s leader, who is threatened by her independence. A nuanced, moving drama.
Dorfman in Love
By all appearances, single 28-year-old accountant Deb Dorfman had embraced a life of suburban mediocrity. When a promise to house-sit for her long-time crush—a hunky war correspondent—uproots her from her sheltered San Fernando Valley home and thrusts her into the hub of a newly revitalized downtown LA, Deb’s world is poised to crack open. Transformation is inevitable, but is love? Elliot Gould co-stars in this delightfully quirky indie romantic comedy. [MINIGUIDE 70/70]
It Kinda Scares Me
a drama teacher documents his at-risk youth project and everything gets personal.
Joshy
After his engagement falls apart on the evening of his birthday, Joshy’s (Thomas Middleditch, Silicon Valley) best buddies rally together to pull off a much-needed guys-only weekend for their grieving friend. As the partying heats up, Joshy and company continue to distract themselves from their troubles until they finally have to confront the elephant in the room: their feelings. Male bonding has never been more complex . . . and comically awkward.
Little White Lie
Daring to ask questions about her true identity, around which her parents had kept a careful silence throughout her entire childhood, filmmaker Lacey Schwartz gently but firmly pulls back the curtain on matters of race and family secrets in her deeply personal and riveting documentary. Schwartz raises larger questions for us all: What factors—race, religion, family, upbringing—make us who we are? And what happens when we are forced to redefine ourselves?
Naomi
Tight, edgy Israeli film noir sets off a ring of betrayal and deception after a radiant young Haifa artist has an affair behind the back of her much older science professor husband. An homage to the thrillers of Hitchcock past, the story features a heaping dose of repressed Jewish guilt and builds to an unexpected twist with the professor and his mother forming an unlikely alliance. [MINIGUIDE 66/70]
Natasha
Jewish Canadian writer David Bezmozgis directs his acclaimed short story of forbidden teenage love between Mark, a Toronto slacker and his troubled Russian cousin by marriage. Bezmozgis’s highly provocative and deeply poignant coming-of-age drama features the extraordinarily measured performances of Alex Ozerov as Mark and newcomer Sasha K. Gordon as the sexually precocious Natasha, the dark star who forever alters Mark’s staid, suburban existence. —Thomas Logoreci
Open Bethlehem
SNEAK PREVIEWBethlehem is revered as one of the world’s holiest places by Jews, Christians, and Muslims alike. Yet for a Palestinian teenager growing up in the 1980s, the city felt small and stifling. To her proud father’s chagrin, Leila Sansour left Bethlehem for Europe at age 17. Open Bethlehem chronicles return to her homeland, and charts how Israeli settlements and military restrictions haves affected the political and cultural landscape of this ancient city.
The Other Son
How would one go about approaching the Israeli-Palestinian conflict in a way that transcends the history and politics and delves deeper into our shared humanity? Not an easy task, but one that writer-director Lorraine Levy has achieved in the remarkable new film, The Other Son. The high concept premise is ingenious: an Israeli teen discovers that he is not the biological son of his parents and was switched at birth with the child of a Palestinian family. The lives of both families are shattered by this revelation and they are forced to reconsider their identities, values and beliefs. A must-see. [MINIGUIDE 100/100)
Out in the Dark
When a handsome Palestinian grad student meets a charming Tel Aviv lawyer at a gay nightclub, it sets in motion both a cross-border love affair as well as a tense drama: Will Nimr’s militant brother in Ramallah discover his secret life? Can Roy’s connections keep Nimr from being deported? Out in the Dark is a taut tale of dangerous love played against a backdrop of the Middle East conflict.
Shtisel
Love, work, relationships—the Shtisels’ problems are like those of any other family, except that they happen to be haredim, ultra-religious Jews. SFJFF presents the first three episodes of this popular award-winning TV drama set in Jerusalem which has hooked viewers worldwide with its stylish production values, humor, great acting (it stars Michael Aloni, Out in the Dark, SFJFF 2013) and compelling story lines recounted with heartfelt emotion and humor.
Zero Motivation
However tough the green-uniformed, female Israeli Defense Forces soldiers in Tayla Lavie’s Tribeca award-winning first feature may act, they constantly give themselves away as quite the opposite. Zero Motivation is not punctuated by bullets, but rather by battles over chores, bunk beds and boys. Yet while tenderness may be hard to come by in this acerbic yet humorous film, Lavie nevertheless leaves room to convey her hardboiled characters’ dreams and desires.
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