Full Description
Joel Katz’s (Strange Fruit, SFJFF 2002) insightful personal essay ponders
what it means to be white in America. The quest to understand the difficult
notion of identity starts when he and his wife are asked to select a race
preference for the child they wish to adopt. When the Jewish couple checks
the “All” box on their application, Katz begins a journey to comprehend his own
family’s often contradictory life experiences within the American melting pot.
The son of liberal immigrants, Joel’s father went on to became the first Jewish
professor at Howard University, the nation’s preeminent African American
college. During the 1960s his father’s tolerance was severely tested to the
point of admiring the racist writings of William Shockley. When Joel’s half-
Black, half-white adopted daughter is born, the filmmaker and his wife grapple
with bringing her up in a largely white community. Intelligent and stylish, this
thought-provoking documentary is enhanced by a memorable jazz score by
instrumentalist Don Byron.
Filmmaker Bio(s)
Joel Katz is a an independent film and video maker based in upstate New
York. His works include "Corporation with a Movie Camera" (1992), a
videotape about how corporate representations have shaped American's ideas
about the Third World; "Dear Carry" (1997), a documentary essay based on
the life and travel films of New York jewelry designer Caroline Wagner;
and "Strange Fruit" (2002), a documentary about the famed anti-lynching
protest song of the same title. Katz's work has been awarded grants by
the National Endowment for the Arts, the Independent Television Service,
the New York State Council on the Arts, the Jerome Foundation, and
numerous other agencies. He is an Assistant Professor in the Media Arts
Department of New Jersey City University, and serves on the Board of
Directors of Third World Newsreel.