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Joshua Z. Weinstein’s Brooklyn-based Yiddish drama is an authentic, tightly written, compelling story for anyone jonesing to hear more than a bisl (little bit) of the mamaloshen (mother tongue). Menashe, a complex and lovable schlemiel, is a young widower deep in the heart of New York’s ultra-Orthodox Hasidic Jewish community who is fighting for custody of his son and struggling with his aversion to marrying again.
Awkward but lovable single gal Moos is a young Jewish Dutch woman who has devoted the last seven years of her life to caring for her father after the death of her mother. When she finds herself suddenly entangled with two love interests at once, she has more to worry about than a new career on the road to independence. Will she follow the advice of her family or venture out on her own path?
The legacy of Sigmund Freud is a slippery subject indeed. Whatever your views on the founder of psychoanalysis, there is no denying his incalculable influence on science, art, culture and even language. More Alive Than Dead explores opinions on Freud over the years with a sense of humor accompanied by hilarious animation. Experts assess his influence on psychoanalysis, neurology, literature, the LGBT community, the economy and feminism. In other words, just about everything.
Adi Levi is such a steady and reliable husband and father, everyone in his life takes him for granted—until he’s misdiagnosed with cancer and told he has only weeks to live. Everyone in his life continues to take him for granted, but in this endearing Israeli romantic comedy, he is finally forced to choose whether to stand up for himself or continue to let life push him around.
A compelling tale of loss, betrayal and redemption, Andrei Konchalovsky’s bold, black-and-white World War II drama won the Venice Film Festival’s Silver Lion and was Russia’s entry in the 2017 Academy Awards. Three lives fatefully intersect when Russian countess Olga is arrested for sheltering two Jewish boys in Nazi-occupied France. Echoing the intensity of Laszlo Nemes Son of Saul, Konchalovsky’s deeply spiritual vision is a major contribution to Holocaust cinema.
In this dry, bitingly funny satire set in Nazareth, Ramallah and Sweden, a long-married Palestinian couple communicates through an elaborate series of mutually inflicted micro-aggressions. An official selection for the Cannes Film Festival, writer/director Maha Haj’s deftly insightful debut is both a timeless portrait of domestic discontent as well as a thoroughly contemporary and droll look at the bemusing indignities of border checkpoints, communications technology and impulsive romance.
Two séance-conducting sisters from America (the luminous Natalie Portman and Lily-Rose Depp) meet a silver-haired French film producer who vows to capture their communions with the dead on his own cinematographic medium. This handsomely reptilian producer, who is based on the real-life illustrious filmmaker who was executed at Auschwitz, Bernard Natan, may be enchanted by the young and beautiful sisters, but he casts a darker, stronger spell on them.
In this tense, slow-burning thriller, a young woman finds herself on the dividing line between secular and religious life in Israel while confronting her uncertain future as a promising pianist. Naomi leaves her home in Tel Aviv for a new job in the Haredi neighborhood of Kiryat Yovel. The neighborhood is increasingly hostile to her for being secular, and things only get stranger when she develops a close friendship with a Catholic monk.
Willy Wolff escaped the Nazis, became a renowned British journalist and didn’t go to rabbinical school till he was in his 50s. Now in his 80s, he leads two communities in Germany and still finds time for yoga, learning Russian and enjoying the racetrack. We go behind the scenes to see the beautiful and sometimes heartbreaking life of a deeply religious man who is rarely seen without a twinkle in his eye.
The Willers were one of only 12 Jewish families to survive the Nazi occupation of Prague. More remarkably, they survived openly as Jews. Red Trees is an exquisitely filmed essay that chronicles the family’s life in the Czech Republic, their narrow escape from the death camps and eventual emigration to Brazil; it is both a testament to the human will to survive as well as a celebration of diversity and acceptance.