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In this quiet but intense psychological drama, director Franziska Schlotterer crafts an erotically charged story set in the remote mountains of the Black Forest during WWII. A young Jew fleeing the Nazis is saved by a German peasant couple, but soon discovers that there is an unexpected price to pay for his salvation. The spare but sumptuous cinematography captures the passion, desire and jealousy waiting to explode.
A Film Unfinished
Filmmaker Yael Hersonski discovers that the Warsaw Ghetto footage that we’ve seen in countless documentaries was actually staged by the Nazis using the actual Jewish inhabitants of the Ghetto as actors. A Film Unfinished is a rigorous and profound documentary that simultaneously exposes the perversity of Nazi propaganda, honors its victims and pays tribute to the resiliency of the filmmaker’s own grandmother and the other survivors of the Ghetto.
The Flat
Already the winner of Israel’s top film prizes, this superb documentary thriller begins just after the death of the filmmaker’s 95-year-old grandmother. Sifting through a lifetime of accumulated possessions in her Tel Aviv apartment, Goldfinger makes an astonishing discovery: the deep friendship between his grandparents and Leopold von Mildenstein, the Nazi predecessor of Adolf Eichmann. The Flat is a complex, penetrating look at a different kind of Holocaust denial altogether. [MINIGUIDE 68/70]
Germans and Jews
This thoughtful documentary is a subtle examination of the history of Germany’s postwar Jewish population and of the fraught and fragile relations between Jews and non-Jews. Structured around a dinner party attended by Germans and Jews—some of whom were born in Germany, some who are “Germans by choice”—the film negotiates sensitive questions of memory, guilt, identity and redemption with grace and aplomb while giving access to both sides of a crucial historical dialogue. —Seth Barron*SJM: Single Jewish Mom Free Screening
Go for Zucker! - An Unorthodox Comedy
Jaeckie Zucker, a hard-drinking, pool-playing, lovable scoundrel in Berlin, is up to his ears in debt. When he learns that his long-estranged mother has willed him a sizeable inheritance, he thinks his ship has come in. But there’s a catch: Jaeckie--who gave up all things Jewish long ago--must first reconcile with his Orthodox Jewish brother, who is coming, family in tow, for the funeral. The madcap adventure that follows finds Jaeckie desperately trying to "pass" as observant, while trying to ditch the funeral so he can play in a high-stakes pool tournament.Politically incorrect, ironic and utterly contemporary, what makes Go for Zucker! such a standout is that, while in the irreverent mode of Mel Brooks and Larry David, this is a comedy from Germany--daring to present Jews in a guilt-free context beyond the Holocaust. Berlin-based writer/director Dani Levy has created a screwball comedy that breaks every taboo.
Hannah Arendt
This sophisticated drama about the life, career and loves of German Jewish philosopher Hannah Arendt (1906–1975) shines a light on one of the greatest independent thinkers of the 20th century. When New Yorker magazine sends her to Jerusalem in 1961 to witness the trial of the notorious Nazi, Adolph Eichmann, Arendt begins to formulate her now famous concept ”the banality of evil” that opens up a flood of controversy.
Human Remains
About This Film
Incessant Visions- Letters From an Architect
This artful documentary illuminates the life and work of German Jewish Expessionist architect Erich Mendelsohn. Mendelsohn’s story unfolds through letters exchanged with his wife Luise, both German Jewish emigres fleeing Nazism. Director Dror deftly juxtaposes the architect’s original drawings with contemporary views of his buildings, weaving in interviews with architects and the people who use these unique structures—a testament to the integrity and timelessness of visionary design.
Knowledge Is the Beginning
Conductor Daniel Barenboim believes that “a life without music is impoverished.” In the 1990s, Barenboim and the late Palestinian-born writer Edward Said created the West-Eastern Divan Orchestra, comprising talented young musicians from Egypt, Israel, Jordan, Lebanon, Syria and Tunisia. The film, an unusual hybrid of a concert movie and a documentary about artistic diplomacy, eloquently chronicles the life of the orchestra.
Labyrinth of Lies
A young prosecutor in postwar West Germany investigates a massive conspiracy to cover up the Nazi pasts of prominent public figures.
The Nasty Girl
An insightful, merciless black comedy - one of the most viciously funny satires to come out of Germany. Schoolgirl Sonja (Lena Stolze, featured in THE WHITE ROSE) comes from a prominent family and has gained the respect of the people in her small Bavarian town by winning a prize for best essay in a European competition.
Otto Frank, Father of Anne
Otto was the only member of the Frank family to survive the Holocaust, and after the war he dedicated his life to his daughter Anne’s diaries, working tireless to ensure the book’s status as one of the 20th century’s signal literary testaments. Frank’s zeal to publicize the diaries led him to questionable compromises and interpretations, but as David de Jongh’s evenhanded portrait makes clear, Anne’s diaries are unthinkable apart from Otto’s devotion.
The People vs. Fritz Bauer
In late 1950s Germany attorney general Fritz Bauer (played by The White Ribbon’s lauded Burghart Klaussner) is intent on bringing the infamous Nazi Adolf Eichmann to trial. This riveting historical thriller chronicles the hindrances and the potentially mortal dangers Bauer faces as a closeted gay Jewish lawyer working alongside men in the government who can bring criminals like Eichmann to justice but who ultimately have the power to conceal their own Nazi pasts. —Zoe PollakScreened at Berlinale 2016
Projections of America
Hollywood screenwriter Robert Riskin’s Mr. Deeds Goes to Town won him a 1937 Oscar. Less well known is Riskin’s series of short films, produced to aid America’s WWII effort. The films’ American values reflect his own Jewish, left-leaning principles, countering foreigners’ negative stereotypes of United States citizens. With narration by John Lithgow, director Peter Miller skillfully brings this effort to light.
Run Boy Run
Srulik is running for his life. Literally. His once happy family is now dead or dispersed following the Nazi occupation of Poland, and he is alone in the world. Based on a true story, Run Boy Run tells the harrowing tale of young Srulik as he struggles to evade capture by the Nazis and ward off starvation, a harrowing story comprised in equal measures of cruelty and compassion, despair and hope.
Saviors in the Night
Based on true events, this bravura drama powerfully records one memorable instance of moral courage under desperate conditions. Menne Spiegel, a German Jew, meets his old army comrade Heinrich Aschoff on the eve of a mass deportation of Jews in 1943. Aschoff, a Catholic farmer with a conscience, agrees to shelter Spiegel’s wife Marga and their daughter in spite of the deadly risk to his own family. Saviors in the Night, based on Marga’s best-selling memoir, relates the extraordinary true story of the families’ perilous years together. Join us for Opening Night in San Francisco with special invited guests Marga Spiegel, director Ludi Boeken and principal actor Lia Hoensbroech. Followed by Opening Night Bash at Swedish American Hall.
Six Million and One
Israeli filmmaker David Fisher initiates a road trip that becomes an extraordinary family psychodrama for his siblings at the site of the World War II concentration camp where their father Joseph was interned as a young boy. Traveling in a van they laugh at themselves and question their own willingness to go deeper into their family legacy. Stunningly beautiful forests and meadows silently conceal the reality of their father’s untold story. [MINIGUIDE 71/70]
The Wedding Song
Karin Albou (La Petite Jerusalem, SFJFF 2006) explores Jewish and Arab culture and female sexuality in her bold and exquisite second feature. In Nazi-occupied Tunis, two teenage girlfriends, Muslim Nour and Jewish Myriam, cling to their lifelong bond. Outside the intimate female quarters of home and hammam, the world shared by Jews and Arabs is split apart by German promises of liberation. When the propaganda seeps through the gender wall, Myriam and her mother are no longer safe, and a hasty wedding must be arranged. But marriage, like friendship, becomes a test of ethics and courage. Karin Albou in person at the Castro.
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