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A brief glimpse into the lives of the dwindling but passionate community of the Jews of Guantanamo.
When Agi gathers her family for a school identity project over dinner, they rethink who they are and what they want to eat.
An intimate look at the non-conformists in punk subculture that fought back against white nationalists and neo-Nazis in the 90s.
Wednesdays in Mississippi is the little-known story of the first-ever all-women national civil rights program, whose multifaith Northern Black and White women citizen activist teams flew into deadly Mississippi during Freedom Summer in 1964, clandestinely supporting integration efforts, and local Black women’s leadership to seed community economic and educational empowerment.
With the outbreak of a new war in Israel, a soldier is about to enter Lebanon. His mother refuses to wait for bad news and decides to take matters into her own hands.
Meredith Monk–Jewish-American composer, performer, and director–is one of the unsung creative geniuses of our time. Featuring interviews with Björk and David Byrne, Monk in Pieces illuminates Monk’s wildly original vocabulary of sound and imagery.
Coexistence, My Ass! follows Israeli comedian Noam Shuster Eliassi as she struggles to create a one-woman comedy show called “Coexistence, My Ass!” about racism, sexism, war, peace and… her ass. With hatred and violence in Israel/Palestine turbo-charged like never before, “co-existence” already a problematic term now sounds like a bad joke — so where does she go from here?
Perl and Dalia make waves creating Bulletproof Stockings, the first all-female Hasidic rock band. They challenge gender norms as their global attention increases but their diverging visions and ideologies threaten the band's unity and future.
To combat the rising tension in their Brooklyn communities, a Rabbi and a Reverend team up to unite their congregations. As their faith is shaken, both congregations struggle to not let their differences drive them apart.
When a high-end design firm presents its plans to reimagine the gift shop at The Anne Frank Haus, the company’s overt appeals to Generation Z sparks a darkly comic debate about collective trauma, the Holocaust, and tote bags.