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Odessa...Odessa!
Odessa...Odessa! is a poetic journey to find the Jewish soul of Odessa, Ukraine, moving poignantly from Odessa today to Brighton Beach and to Ashdod, Israel.
Off White Lies
Preceded by B-BoyThough set during the Second Lebanon War of 2006, this coming-of-age story from Israeli director Maya Kenig evokes the offbeat charms of Juno. Libby, a shy 13-year-old California resident, is sent to live with her father in Israel, only to discover that he’s a well-intentioned sham. Launched on a modern-day quixotic adventure, they discover a shared talent for telling “off-white lies.” Kenig’s laconic storytelling highlights her actors’ considerable gifts. [MINIGUIDE 69/70]
On the Map
Led by the magnetic Tal Brody, the Maccabi Tel Aviv basketball team, a combination of NBA also-rans and Israeli players, rallied a nation in its David-and-Goliath pursuit of the 1977 European Championship. Director Dani Menkin presents the context for what was a much-needed morale boost amid Israel’s sagging economy, the lingering sorrow of the 1972 Munich Olympics massacre and the battle-weariness in the wake of the 1973 Yom Kippur War. —Sara L. Rubin
One Day After Peace
Ten years ago Robi Damelin’s son, a soldier in the Israeli army, was killed by a Palestinian sniper. Instead of seeking revenge, Robi sets off on a journey to find forgiveness in herself. Originally from South Africa, she travels home to investigate the methods used for ending apartheid, hoping that she can bring the same peacekeeping tactics to Israel to begin the healing process and end the cycle of violence. [MINIGUIDE 70/70]
One Week and a Day
When Eyal (Shai Avivi, Sweet Mud, SFJFF 2007) finishes the week of mourning for his late son, his wife (Evgenia Dodina, Invisible, SFJFF 2011) urges him to return to their routine but instead he chooses to gets high with his young slacker neighbor. The two misfits embark on a tragicomical journey to discover that there are still things worth living for in Eyal's life. Director Asaph Polonsky's debut feature offers a humorous and moving depiction of grief and whatever comes next. Winner, International Critic's Week, Cannes Film Festival 2016- Joshua Moore
Open Bethlehem
SNEAK PREVIEWBethlehem is revered as one of the world’s holiest places by Jews, Christians, and Muslims alike. Yet for a Palestinian teenager growing up in the 1980s, the city felt small and stifling. To her proud father’s chagrin, Leila Sansour left Bethlehem for Europe at age 17. Open Bethlehem chronicles return to her homeland, and charts how Israeli settlements and military restrictions haves affected the political and cultural landscape of this ancient city.
Or
Dana Ivgy headlines this powerful drama, which won the Camera d’Or at Cannes and earned Ivgy the Israeli Oscar for Best Actress. With graphic intimacy, Or takes us inside the private lives of Or (Ivgy) and her working-class mother Ruthie (veteran actress Ronit Elkabetz). Or is desperately trying to convince her mother to stop working as a prostitute, but after 20 years in the business, Ruthie finds her options narrowing.
Orthodox Stance
Dmitriy Salita, formerly of Odessa, Ukraine, is a 24-year-old fervently Orthodox Jew living in Brooklyn, who scrupulously follows the customs and traditions of his faith. He keeps kosher, studies Torah and prays every day. Dmitriy Salita is also an undefeated professional prizefighter managed by a Hasidic rabbi. Is that a contradiction? Hardly, as revealed in this intimate, fascinating journey inside the two worlds of a remarkable young American immigrant. —Mike Silver
The Other Son
How would one go about approaching the Israeli-Palestinian conflict in a way that transcends the history and politics and delves deeper into our shared humanity? Not an easy task, but one that writer-director Lorraine Levy has achieved in the remarkable new film, The Other Son. The high concept premise is ingenious: an Israeli teen discovers that he is not the biological son of his parents and was switched at birth with the child of a Palestinian family. The lives of both families are shattered by this revelation and they are forced to reconsider their identities, values and beliefs. A must-see. [MINIGUIDE 100/100)
Otto Frank, Father of Anne
Otto was the only member of the Frank family to survive the Holocaust, and after the war he dedicated his life to his daughter Anne’s diaries, working tireless to ensure the book’s status as one of the 20th century’s signal literary testaments. Frank’s zeal to publicize the diaries led him to questionable compromises and interpretations, but as David de Jongh’s evenhanded portrait makes clear, Anne’s diaries are unthinkable apart from Otto’s devotion.
Out in the Dark
When a handsome Palestinian grad student meets a charming Tel Aviv lawyer at a gay nightclub, it sets in motion both a cross-border love affair as well as a tense drama: Will Nimr’s militant brother in Ramallah discover his secret life? Can Roy’s connections keep Nimr from being deported? Out in the Dark is a taut tale of dangerous love played against a backdrop of the Middle East conflict.
Partner with the Enemy
This soulful documentary suggests the world might look different if women and mothers were calling the shots. Co-directors Chen Shelach and Duki Dror (Incessant Visions—Letters from an Architect, SFJFF 2011) follow Anat and Rola, entrepreneurs from Kibbutz Mizra and Ramallah who join forces to start a logistics company specializing in the release and transport of Palestinian cargo shipped to Israeli ports. But a hostile environment threatens the women’s partnership.
The Pawnbroker
Sidney Lumet’s searing noir drama (1964) features Rod Steiger’s unforgettable performance as Sol Nazerman, a lonely, bitter Jewish pawnbroker in New York’s Harlem. Shot entirely on location with an edgy jazz score by Quincy Jones, The Pawnbroker is one of the earliest American films to deal with the lingering psychological impact of the Holocaust on survivors.
Peggy Guggenheim: Art Addict
Born into great wealth yet emotionally rebellious, American socialite Peggy Guggenheim spent a lifetime—and a fortune—breaking society’s rules to become one of the preeminent art collectors of the 20th century and a tireless champion of the avant- garde. This absorbing documentary profiles the bohemian tastemaker who helped discover such talents as Kandinsky, Cocteau, Dali, and Pollock, while pursuing sexual liaisons with the likes of Samuel Beckett and Paul Bowles.
The People vs. Fritz Bauer
In late 1950s Germany attorney general Fritz Bauer (played by The White Ribbon’s lauded Burghart Klaussner) is intent on bringing the infamous Nazi Adolf Eichmann to trial. This riveting historical thriller chronicles the hindrances and the potentially mortal dangers Bauer faces as a closeted gay Jewish lawyer working alongside men in the government who can bring criminals like Eichmann to justice but who ultimately have the power to conceal their own Nazi pasts. —Zoe PollakScreened at Berlinale 2016
La Petite Jerusalem
Eighteen-year-old Laura is torn between her Orthodox upbringing and the intellectual and physical pleasures of the secular world. She lives in a low-income suburb of Paris with her tight-knit Tunisian family and is very close to her sister Mathilde. When Laura meets Djamel, an Algerian Muslim émigré, a romance ignites. This passionate drama follows a young woman finding her spiritual, sexual and intellectual true north.
Phantom Limb
Silence shrouded the death of filmmaker Jay Rosenblatt’s little brother four decades ago; Phantom Limb is his haunting and healing meditation on postponed grief.
Plastic Man: The Artful Life of Jerry Ross Barrish
This delightful documentary follows Jerry Ross Barrish, an unorthodox sculptor in his 70s, as he struggles to achieve commercial success. Daylighting as a bail bondsman and formally a pioneering independent filmmaker, Barrish now sculpts with found plastic—trash, essentially—which he assembles into works of Picasso-esque humanity. Too often art documentaries treat their subjects with reverent distance. But Barrish’s infectious charm and whimsical art will make you want to pick up a pencil and start drawing.
The Producers (2005)
Max is a Broadway producer with a reputation for consistently churning out flops. Leo is a nebbish accountant. Soon after meeting, Leo plants the idea of embezzlement in Max’s head. Before you know it, their get-rich-quick scheme is born. All they have to do is put together the granddaddy of all flops and they’ll be rolling in dough. However, making a disaster isn’t as easy as it seems.
Projections of America
Hollywood screenwriter Robert Riskin’s Mr. Deeds Goes to Town won him a 1937 Oscar. Less well known is Riskin’s series of short films, produced to aid America’s WWII effort. The films’ American values reflect his own Jewish, left-leaning principles, countering foreigners’ negative stereotypes of United States citizens. With narration by John Lithgow, director Peter Miller skillfully brings this effort to light.
Protektor
Set in German-occupied Prague, this visually stunning, highly original thriller explores how much we might compromise for love. Emil accepts a job promotion to be the on-air voice of the Nazi propaganda in order to protect Hana, his Jewish wife. Meanwhile, Hana’s glamorous life as a movie star comes to an abrupt end. As she rebels against her Emil’s attempts to control her every move, Hana sets out on some dangerous adventures.
Quality Balls: The David Steinberg Story
If you’ve never heard of David Steinberg—and even if you have—you’ll be astonished at the scope of his career captured in this very funny doc. The same man whose irreverent routine in 1968 contributed to the demise of the Smothers Brothers show also directed episodes of Seinfeld, Friends and Curb Your Enthusiasm in the 2000s. Steinberg genially recounts his adventures between clips and interviews with comedians he inspired. Preceded by Little Horribles: Road Rage
Rabies
Brace yourself for Rabies, Israel’s first-ever horror flick. A young woman with a dark secret finds herself ensnared in an underground trap deep within an Israeli forest by a psychotic killer. Meanwhile, four attractive Israeli youths who took a wrong turn, a grizzled forest ranger and his dog, and a pair of rogue cops get drawn into a roiling ocean of misunderstandings. A ferocious bloodbath ensues. Prepare to squirm.
Rabin in His Own Words
This examination of the life and times of Israeli Prime Minister Yitzhak Rabin is constructed largely from archival footage, photographs and interviews, from Rabin’s early days to his tragic death. Director Erez Laufer (One Day After Peace, SFJFF 2012) takes us from Rabin’s childhood, through his experience fighting in three wars, to his assassination, and reminds us of the possibility for peace that remains for those who want it. —Seth Barron
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