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Filtered By:
Eric
Clear All
American Commune
American Commune chronicles the Farm, founded in 1971 by hippie holy man Stephen Gaskin and his wife Ina May, godmother of modern midwifery. Filmmaker sisters and former residents Nadine and Rena Mundo return to the Farm for the first time in 20 years. With a critical eye and empathy for the Farm’s efforts to reboot society, the Mundo sisters have created an engaging portrait of an unusual community and its legacy.
An American Tail
This beautifully animated film, which will charm audiences of all ages, tells the story of Fievel Mouskewitz and his family of Jewish mice who escape from Russia in the late 1800s and immigrate to the United States. At the time of its release in 1986, it became the most successful non-Disney animated feature with a theme that is close to every American’s heart: immigrants trying to succeed despite the many hardships and obstacles.
The Armor of Light
In her breathtaking directorial debut, Abigail Disney follows evangelical minister Rob Schenck, an anti-abortion activist—and former Jew—as he examines whether it is possible to be pro-gun and pro-life. He teams with Lucy McBath, the mother of Jordan Davis, an unarmed teenager murdered in Florida whose case has become a landmark in the fight against stand-your-ground laws. Disney artfully paces the story to show a polarized topic in a fresh light.
Hollywoodism: Jews, Movies, and the American Dream
About This Film
Jews and Baseball: An American Love Story
Not particularly known in the United States for their athletic prowess, Jews have surprisingly excelled in the most American of sports: baseball. Jews and Baseball: An American Love Story, narrated by Dustin Hoffman, celebrates the contributions of Jewish major leaguers and the special meaning baseball has had in the lives of American Jews. More than a film about sports, it is a story of immigration, assimilation, bigotry and the shattering of stereotypes.
Just 45 Minutes from Broadway
This highly dramatic comedy is legendary independent filmmaker Henry Jaglom’s tribute to actors and the families who endure them. One daughter, the only member of the family to reject a life in show business, brings home her “civilian” fiancé (Judd Nelson) after a year of estrangement. What follows is a day and night fraught with drama as family members, self-consciously and with great gusto, play out the drama of their own lives. [MINIGUIDE 72/70]
A Life in Dirty Movies
A Life in Dirty Movies is an affectionate documentary about legendary sexploitation director Joe Sarno, “the Ingmar Bergman of 42nd Street,” and his loyal wife and collaborator Peggy. The film follows the Sarnos for a year, as 88-year-old Joe struggles to get a new film project off the ground. The film’s intimate perspective reveals a filmmaker’s golden years and his hope for renewed relevance. With John Waters.
The Producers (2005)
Max is a Broadway producer with a reputation for consistently churning out flops. Leo is a nebbish accountant. Soon after meeting, Leo plants the idea of embezzlement in Max’s head. Before you know it, their get-rich-quick scheme is born. All they have to do is put together the granddaddy of all flops and they’ll be rolling in dough. However, making a disaster isn’t as easy as it seems.
Projections of America
Hollywood screenwriter Robert Riskin’s Mr. Deeds Goes to Town won him a 1937 Oscar. Less well known is Riskin’s series of short films, produced to aid America’s WWII effort. The films’ American values reflect his own Jewish, left-leaning principles, countering foreigners’ negative stereotypes of United States citizens. With narration by John Lithgow, director Peter Miller skillfully brings this effort to light.
Streit's: Matzo and the American Dream
Just as its iconic pink box has graced Passover seder tables for generations of American Jews, so, too, Streit’s matzo factory has stood for some 80 years on the Lower East Side. For many Jews, a family business has been a way to make a living and a way to ensure that the next generation could do better. This is all challenged by the need for modernity, the pressures of foreign competition and enticing real estate offers. —Sara L. Rubin
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