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Gypsy Davy
Flamenco, the Gypsy-, Jewish-, Arab- and Andalusian-inspired art form, is loved around the world. But what happens when a white boy with Alabama roots falls in love with flamenco and becomes a renowned flamenco guitarist? Gypsy Davy tells the story of David Jones aka David Serva from the perspective of the five women in his life and his children—one of them, the filmmaker, who was abandoned by the musician when she was a year old. With searing honesty and wry humor, Serva’s daughter Rachel unravels a series of tangled lives and forges new possibilities. [MINIGUIDE 94/100]
Hannah Arendt
This sophisticated drama about the life, career and loves of German Jewish philosopher Hannah Arendt (1906–1975) shines a light on one of the greatest independent thinkers of the 20th century. When New Yorker magazine sends her to Jerusalem in 1961 to witness the trial of the notorious Nazi, Adolph Eichmann, Arendt begins to formulate her now famous concept ”the banality of evil” that opens up a flood of controversy.
A Healthy Baby Girl
About This Film
Hello I Must be Going
Celebrated character actress Melanie Lynskey (Heavenly Creatures, television’s Two and Half Men) gives a breakout performance as Amy Minsky, a thirtysomething divorcee, back under the suburban Connecticut roof of her parents (a wonderful Blythe Danner and John Rubenstein). Spending her days in sweatpants watching old Marx Brothers movies, Amy has put her life on hold, waiting for something or someone to ignite the spark lacking in her life.Sundance 2012, Opening Night Film[MINIGUIDE 68/70]
Hollywoodism: Jews, Movies, and the American Dream
About This Film
Indignation
The award-winning writer and producer James Schamus (Crouching Tiger Hidden Dragon, Brokeback Mountain) crafts a poignant and faithful adaptation of Philip Roth’s Indignation as his directorial debut. Hailed by Roth himself as the best film adaptation of his work, Indignation is a moving portrait of Marcus Messner, the son of a Kosher butcher who sets off for college in 1950’s Ohio and finds his atheist self at odds with its Christian Midwestern culture.- Lexi LebanScreened at 2016 Sundance Film Festival
The Jazz Singer
About This Film
Joshy
After his engagement falls apart on the evening of his birthday, Joshy’s (Thomas Middleditch, Silicon Valley) best buddies rally together to pull off a much-needed guys-only weekend for their grieving friend. As the partying heats up, Joshy and company continue to distract themselves from their troubles until they finally have to confront the elephant in the room: their feelings. Male bonding has never been more complex . . . and comically awkward.
Keep Quiet
Extreme in his anti-Semitic beliefs and denial of the Holocaust, Csanád Szegedi rose up through the ranks to a leading position in Hungary’s far-right Jobbik Party, and became a member of the European Parliament. At the height of his political career, documentation surfaced showing that Szegedi’s maternal grandparents were Jewish. In a stunning about-face, Szegedi chose to explore his Jewish roots, study Judaism and make a trip to Auschwitz with Holocaust survivors. —Sara L. Rubin
Labyrinth of Lies
A young prosecutor in postwar West Germany investigates a massive conspiracy to cover up the Nazi pasts of prominent public figures.
Left On Purpose
Justin Schein originally set out to make a standard documentary on former Yippie activist Mayer Vishner. But in the middle of shooting, Vishner made it clear he had a different plan. The film ends with his last political act: his exit from this world. Schein’s dilemma becomes the film’s new narrative, as he goes from documentarian to friend to one of Vishner’s last caretakers, ultimately making him complicit in the death of his subject. —Neha TalrejaWinner of the Audience Award at DOC NYC Festival 2015.
Lepke
Tony Curtis is mesmerizing as Louis “Lepke” Buchalter in Menahem Golan’s epic drama about the feared leader of Murder, Incorporated. The film reads like a who’s who of New York Jewish gangsters: Dutch Schultz, Gurrah Shapiro, Mendy Weiss, Kid “Twist” Reles and their nemesis, Thomas Dewey. Lepke provides a unique window into the Jewish immigrant experience in the trajectory of a man driven to achieve one version of the American dream.
Life According to Sam
The clock is ticking for all of us, but it is ticking faster for Sam Bern. Sam has progeria, an extremely rare age-accelerating disease. When we first meet Sam, he is 13 years old but looks 70. He is a precocious middle school student interested in music and sports, though his ability to participate is limited by his fragile body. Fortunately, Sam’s parents are both doctors. His mom, Dr. Leslie Gordon, is a genetic researcher and is on a crusade to get approval of a drug that will extend Sam’s life as well as those of other children with the disease beyond the average life expectancy of 13–14 years. It is a race against time for Gordon to get her drug trial results published in a reputable medical journal. Sam talks about his mortality but does so with a lack of anger or self pity. Yet like any teenager he has goals for himself, the most pressing of which is to play drums in his high school marching band. Academy Award–winning directors Sean Fine and Andrea Nix Fine have created an emotionally uplifting chronicle of determination and optimism in the face of terrible odds with Sam being one of the most inspirational documentary subjects in recent memory.
A Life in Dirty Movies
A Life in Dirty Movies is an affectionate documentary about legendary sexploitation director Joe Sarno, “the Ingmar Bergman of 42nd Street,” and his loyal wife and collaborator Peggy. The film follows the Sarnos for a year, as 88-year-old Joe struggles to get a new film project off the ground. The film’s intimate perspective reveals a filmmaker’s golden years and his hope for renewed relevance. With John Waters.
Little White Lie
Daring to ask questions about her true identity, around which her parents had kept a careful silence throughout her entire childhood, filmmaker Lacey Schwartz gently but firmly pulls back the curtain on matters of race and family secrets in her deeply personal and riveting documentary. Schwartz raises larger questions for us all: What factors—race, religion, family, upbringing—make us who we are? And what happens when we are forced to redefine ourselves?
Lost Islands
Israel’s 2008 box office hit focuses on the Levis, a large, fun-loving family—at times quirky, but mostly typical. As the naive days of the early 1980s wane, they encounter concurrent tragedies: a car accident that leaves the father wheelchair bound and the uneasy distancing of once-inseparable twins. When one of the sons joins a commando unit fighting in the nationally polarizing war with Lebanon, the Levis’ personal struggles become indelibly intertwined with Israel’s own.
Love & Taxes
Despite his job assisting a high-powered San Francisco corporate tax attorney, Josh Kornbluth hasn’t filed his own taxes in years. When his boss finally convinces him to file, so begins an unexpected and hilarious journey that will change his life. Seamlessly blending scenes from Kornbluthss finally convinces him to file, so begins an unexpected and Love & Taxes will capture your heart and make you never want to do your taxes the same way again.
Mary and Max
Oscar-winning animator Adam Elliot’s bittersweet comic fable of an unlikely yet extraordinary friendship between a middle-aged, obese New York Jew with Asperger’s syndrome and his eight-year-old pen pal from Australia. Brought to life by the bravura voice work of Philip Seymour Hoffman and Toni Collette, Mary and Max is a poignant tale of a friendship between oddballs at their wits’ end with the world, but at peace with each other.
The Matchmaker (2010)
An affectionate, bittersweet feature set in 1960s Haifa: Teenager Arik Burstein’s summer vacation explodes with novel attractions, including the sexy Iraqi-Jewish-American niece of his best friend and a seedy downtown movie theater run by Sylvia and a group of Jewish dwarfs who met at Auschwitz. But it is Yankele Bride—matchmaker, shady businessman and Holocaust survivor—who captivates Arik in Avi Nesher’s vibrant mosaic about coming of age and coming to terms with the past.
Mr. Kaplan
Jacob Kaplan has built a happy life in Uruguay after fleeing from Poland during World War II. But at 76 his health falters, and he fears that he is a failure. He rashly concocts a scheme to kidnap a man he’s convinced is a Nazi and ship him to Israel to stand trial. His bungled, Wiesenthal-esque quest not only makes for scenic viewing, it yields a genuinely surprising resolution.
My Awkward Sexual Adventure
This raunchy yet oddly sweet romantic sex comedy features writer/actor Jonas Chernick as Jordan, a nerdy accountant, so hopeless in bed that his frustrated girlfriend has begun to nod off during sex. After she breaks up with him, Jordan awakes one morning on the couch of a wise and charming stripper, Julia, who agrees to be his erotic mentor in exchange for sound financial advice.
My Father and the Man in Black
Utilizing an impressive array of found footage, recreations, letters and audio-taped journals, director Jonathan Holiff reconstructs the memories of his late father Saul Holiff, longtime manager of music legend Johnny Cash. A close examination of two strong characters, the documentary sheds light on a tumultuous yet fruitful relationship between the star and his agent, and the immense toll it took on his family.
Naomi
Tight, edgy Israeli film noir sets off a ring of betrayal and deception after a radiant young Haifa artist has an affair behind the back of her much older science professor husband. An homage to the thrillers of Hitchcock past, the story features a heaping dose of repressed Jewish guilt and builds to an unexpected twist with the professor and his mother forming an unlikely alliance. [MINIGUIDE 66/70]
Natasha
Jewish Canadian writer David Bezmozgis directs his acclaimed short story of forbidden teenage love between Mark, a Toronto slacker and his troubled Russian cousin by marriage. Bezmozgis’s highly provocative and deeply poignant coming-of-age drama features the extraordinarily measured performances of Alex Ozerov as Mark and newcomer Sasha K. Gordon as the sexually precocious Natasha, the dark star who forever alters Mark’s staid, suburban existence. —Thomas Logoreci
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